Matthew Sweet hit it out of the park on his third release. Great songs with 2 of my favorite guitar players, Richard Lloyd of Television and Robert Quine. Richard takes the lead on this one. Also a shout out to Francois who reviewed this transcription for me. I usually prefer not to use staccato markings if I think the note duration is correct. i.e. I prefer a 1/16 note If I think the intention is a 1/16 note, and not a staccato 1/8 note. However in this case the finally results were really tough to read so I listened to him and updated the score. If you want to see the original, send me an email and I'll send you a link to the original unlisted version on YouTube.
This was a request from a supporting member. I was working on the transcription using a VHS copy of the music video. Then I discovered it had been remastered and included as bonus material as part of the 40th anniversary release of there debut. Much better results. This song has a very interesting bass line. It's worth a few minutes to listen and follow along with the transcription.
This was a requested song. Can't go wrong with a Replacements song
I love the Replacements. One thing I've noticed about that the bass tabs and bass cover videos for this song , they all seem to play the guitar part an octave lower. For this song I used Transcribe! filtered for bass only frequencies and bump the song up an octave. It made it easier to clearly hear the bass line.
If I had to pick my favorite Smiths song I think this is it.
RIP Andy Rourke.
12 bar progression (8 bars of I then 2 bars of vi, 1 bar of V, 1 bar of IV) The notes in the bass line over the I chord (E) are consistent, however he changes the timing of the notes on the and of 1 and on 2. This keeps the 8 bars of E interesting.
I wasn't sure what category this song belonged in., They are not,in my opinion, classic rock so I guess they are the original indie rock band. This was their first album on Atlantic, where they were asked to "avoid sex and drugs in song and instead focus on making an album loaded with hits" Someday I'll transcribe the Rock n Roll Animal version but for now you 'll have to settle for this version. Nothing difficult about this song, there are some chromatic note runs from chord to chord. If your not already familiar with them they should be added to your repertoire. F to C there's a 1 3rd b4th b5 in there verse and the chorus its 7 R 2 from F to C
99.9 F° (1992) is part of a great trilogy of albums produced by Mitchel Froom. Los Lobs Kiko (1992) and Richard Thompson's Rumor and Sigh (1991) round out the trio. Add the great Bruce Thomas (Elvis Costello) on bass and you get folk songs with an edgy sound. There are a number of slides on this song you'll need to listen to get the exact feel (it definitely doesn't translate to the musescore play along)
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