A pretty straight forward blues tune. One thing that jumped out at me is the pulse of the Bass Line. It's a shuffle that for the most part goes 1 + 2, 3 + 4. I don't recall hearing this kind of rhythm in a blues song before. Another blues rhythm to add to your repertoire
What can I say, I've always been a big fan of Albert's. His unique guitar tuning (F#m - F-C-F-Ab-C-F) capoed around the 5th,6th and 7th frets and bridge pick-up on a fender telecaster gave him his unique tone. Hell even how he wore his strap was cool. This album was originally released in 1965 as the Cool Sounds of Albert Collins, but is more common as the release as Truckin' with Albert in 1970. This a pretty straight forward song, with some slightly different note choices from the typical walking blues. This is a good song to play through a few times if your blues walking lines are starting to all sound the same.
Continuing with the theme of BB King and Jerry Jemmott playing together. A nice slow blues, with Jerry doing what he does best. As the song builds up he adds counter melodies and matches the intensity of the singer and the song. As I was transcribing this song (from a tab perspective) I kept switching between no open notes to be able to play this in any key, to taking advantage of open strings when it made sense to me. So the tab fingerings may be weird. Feel free to mark up a copy and send me your suggestions.
BB King and Jerry Jemmott together is a great combination. Completely Well, and this Album Live & Well were BB Kings commercial break through albums. Jerry's bass playing gave an R&B feel to BB Kings playing, helping him to achieve his first Top 100 album. This song, clocking in at around 8 and1/2 minutes, highlights Jerry's ability to create lines that are a counter melody to the song. He varies his playing to keep the listeners interest but never in a away that distracts from the song.
I really like the intro to this song. C9, Fm, Ab9-G9, C9-G7. The rest of the song is a I9 IV9 V9 slow blues. From a theory perspective I think its a switch to the parallel minor (f to Fm) that gives you a im III, (Fm, Ab9) then back to Key of C. Greg Rzab (the bass player on this song) plays the R lower 5 R over the Ab9, and R Lower 5 b5 (chromatic passing tone) back to the C9.
An original Buddy Guy song from Bring Em', an album with a lot of cover songs. Willie Weeks plays bass on this album. A complete bass transcription with bass tabs of a good blues song for a beginner/intermediate bass player.
* The outro has a different bass line than the rest of the song. For about 8 bars the bass comes close to doubling the guitar part.
With the exception of the outro, there is a little variation in the bass line, some different note choices and duration's, but nothing really significant.
The Verse is 18 bar's. The Solo section is the standard 12 bar blues.
There is an interesting structure to this song
I've noticed most of the the bass covers on youtube start out doubling the guitar line. I'd try it both ways and see what works with your band. Another example of this is Jumpin Jack Flash by the Rolling Stones. The studio and live versions have different bass lines with the get your Ya ya's out doubling the guitar riff during the verse. I've head lots of cover bands where everyone is playing the same riff and the song just seems to lumber along without any groove.
Robben Ford's tribute to B.B. King, with Roscoe Beck on bass. A great driving bassline over (for Robben Ford) a pretty straight forward cord progression. There are good version if the guitar tab available so guitar players won't have an excuse not to play this song. The intro is interesting in that the bass comes in on the 2 even thought he guitar riff starts on the 1.
This song was suggested by a subscriber to my blog. I'm a big Robben Ford fan. He's got great chops and great tone for days. I've seen him on a multiple performer bill where he sat in with each artist. He's one of the few players that makes everyone sound better. The only other guitar player I've experienced that with is Tony Rice. Fyi chords extensions may not be perfect but the will set the context for note choices by the bass player.
This was previously shared on my old blog. After reviewing it I noticed some errors so I have improved the transcription. I was first exposed to this song during an open blues jam. Luckily I was given a few minutes warning was able to quickly google the chord changes.
This song has an interesting turnaround you need in your repertoire if you are going to play a lot of blues songs.
The song has an interesting walking bass line and a I7 VI7 II V turnaround in Bars 11-12 instead of a typical I - V. And to mix it up a little more interesting Bars 9 & 10 are also changed from a V - IV to a II- V
Lil Ed is A Chicago Institution. Do yourself a favor and check out his greatest hits album. This is raw old fashioned Chicago blues. On my original blog, I shared the basic structure to the barn burner - Never Miss your Water. The lyrics of this song (written by his wife Pam) crack me.
I'm a big fan of Lil Ed & The Blues Imperials. You hear the influences of his Uncle JB Hutto and Hound Dog Taylor on what Guitar Player magazine described “a snarling boogie-blues machine...they blow down the walls.” The Bass really drives this song.
So here's another song that had a good transcription available, which I found after completing this one. If your into blues bass this song (with John McVie on Bass) is worth playing thru a few times. There are some different note choices that would be good to add to your repertoire. A side note : One of the areas I struggle notating while transcribing are songs with a free time ending. Luckily have a friend who is willing to review my transcriptions and point out my errors.
I had shared the first part of this song on Talkbass a while ago, tossed it on the "shelf" and moved onto other songs. I really like the bass in this song. Nothing difficult just a great what I consider a "Soul Blues" 16 Bar Minor Blues Groove
Like my other John Primer Transcription, this one has a number of subtle changes. Look at measure 4 , and sometimes 12 for variations in the bass line. Dave does a great job of keeping things interesting without distracting from the overall groove of the song. Also pay attention to the ending where they switch from a swing rhythm to straight time. .
One of the last of the original Chicago Blues Players, John's still going strong as he celebrates his 80th trip around the sun.Hard Times, released in 2022, features Dan Forte on bass. Since I've been working to improve my blues bass chops, to date I've transcribed the first 5 songs of this album. As I transcribe more I'm starting to notice the details. For the verses he does the "quick Iv" going to the 4 chord during measure 2 and during the 12 measure he goes to the V chord on the 1st beat. For the solos he stays on the 1 for the first 4 measures and during the 12 measure he goes to the V chord on the 3rd beat . Keep an eye out for the 4th measure, lots of variations to keep things interesting with our distracting from the feel of the song. Check out measures 45 and 105 for example. He also varies the turnaround in measures 10-12.